Prithivi

Majuli, the river Island.

INDIA | Sunday, 23 June 2013 | Views [886] | View Larger Image

People waiting here in the Nimanti ghat, the river port of Majuli river island. Majuli river island is the cultural capital and the cradle of Assamese civilization for the past five hundred years.The satras set up preserve antiques like weapons, utensils, jewellery and other items of cultural significance.The island has been the hub of Assamese neo-Vaishnavite culture, initiated around 15th century by the revered Assamese saint Srimanta Sankardeva and his disciple Madhavdeva. Many Xatras or monasteries constructed by the saint still survive and represent the colourful Assamese culture.

Tags: majuli, river island, nimati ghat, satra, assamese civilization, assamese neo-vaishnavite culture, sankardeva, madhabdeva

A man performing the dramatic art plays of Sattriya called Ankiya Bhona were first written in the 15th century primarily from episodes of the Mahabaratha and the Ramayana: two Indian epic, here in Majuli river island, the cultural capital and the cradle of Assamese civilization for the past five hundred years.

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Ankiya Bhaona - the theatre

The dramatic art plays of Sattriya called Ankiya Bhona were first written in the 15th century, primarily from episodes of the Mahabaratha and the Ramayana: 6 by Sankaradeva and 6 others by his disciple Madhavadeva.

For the past five centuries this high level theatrical art form unites, without shame, constant devotion to the pleasures of popular leisure. The register is epical and there is succession of scenes: comical, warlike, matrimonial, sung, danced, etc., each one favouring a clear understanding for all. Wisely codified, the actor’s delivery remains transparent. The dramatic rigour never constrains the familiarity of the actors’ interpretation with respect to the characters they portray and their sacred dimension. This is a rare theatrical phenomenon where their natural presence creates a good equilibrium while resisting to the rigours of the actor’s art.

The Ankiya Bhaona are composed of short dialogues interspersed with varied dances, and sung/recited narration (Sutra Katha). These interrupted plays do not have acts or scenes. The characters enter on the bare oblong stage, which represents the temple (namghar). Occasionally, the backdrop opens up on the outside, allowing the lighted vegetation to appear. The notions of time and space are indicated in the songs or the dances.

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Prithivi

Majuli, the river Island.

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