I hate to say it but I A. don't have their names and B. I can't tell if
the computer made these photographs too dark or I did. Either way, will
modify them when I can.
At the very beginning of my trip I noticed, and wrote an earlier post
about it, my lack of motivation to photograph the people that covered
the streets of Nepal. The lack of motivation wasn't actually due to
physical stamina, although I wish it had been, but by the overwhelming
guilt that I had for the richness of my life AND the severe poverty
that lingered around every corner and crack that I came across.
In
those around me, I was painted with an air of wealth and instead of my
usual roaming eyes, they stayed secure to the ground in front of me.
Roaring with sadness and helplessness I turned off my camera and hid it
in a bag in my hotel room. For over a month both camera and heart
remained in hiding. Partially due to malfunction, the obvious of what
happens to a camera when it sits in rainwater for a night in a leaky
tent and partially due to the hardness that took over and the walls
that I built in order to keep my tears under control.
No matter
where I stepped or what road I traveled down, my pant legs and arms
were tugged at by little hands covered in dust and sticky with sweat
and fruit juice. They roamed the streets eager to find a foreigner with
some extra rupees tucked deep in their pockets. I was once convinced of
buying a tattered book after I had stupidly asked to take a look at it
while my cab driver sat in traffic. A book that turned out to be fairly
interesting but seemed to be lacking pages 130-172 and then
consistently being out of order there after. By the way, I highly
recommend bypassing buying books from kids selling them in the middle
of street lanes, during rush hour traffic in Delhi. While I got
accustomed to over tipping rickshaw drivers and buying extra bananas at
the local veggie stand so that I could hand them out on my way home, I
never could get accustomed to my lack of eagerness to sit beside these
people and learn of their stories. And no matter how many times I
walked passed the same person on the street to say
namaste or give away some food, I never quite got the courage to take their photograph.
Present Day.
The same three smiling men walk or hobble up and down one main street in
Dharamsala, India. I walk by them daily in my mad dash to my
Thangka
painting class. The first few times I smiled, my hands to my heart,
bowed, and not out of character, kept my eyes to the ground. The next
few times I would walk by them afraid to dig through my change
providing either too little or too much of what I had. The other night
I knew I had a bill of 500, ran into one of them, told them that I
would find them tomorrow, then felt guilty and ran to the nearest store
to grab some smaller bills and chased him down.
Today I took a
seat next to two of them, names of which I will have to add later, my
Hindi isn't the best and I say that with a smirk. There were onlookers
and those who didn't notice, but we slowly began talking a bit about
their conditions. One, a man who loves to talk to you in Hindi even
though he knows I don't have much concept of what he is saying, I can
read his gestures. In his broken English he told me he has a little boy
of six years who attends school and is looked after by his mother. His
hands have been filed away to near stubs as his feet showed the same
condition. Leprosy is his
genetic
curse, a disease that often casts one out of society and leaves them
fending for themselves in the street. It's been 11 long years.
The
other man had to have his leg removed when he was 24 years old. He was
hit by a truck and a very old prosthetic hitches on to the very top of
his left thigh baring the little he has left. He is 39 years old. The
third, of who I have yet to get his full story from, I find out, had
polio at a young age. Bow legged and large square blocks as feet, he
moves unsteadily on his crutches. A tin can is always clutched in one
hand along with a beautiful crooked, toothless smile. Unable to open or
carry an umbrella when the monsoon rains fall, he moves quietly
drenched in downpour. He is the one that moves me the most. Hearing
their stories I nod in apology as If I had something to do with their
misfortunes and then we all nod together in understanding. Such is life.
Feeling
like I had just made some friends I asked to photograph them,
explaining that I write about my travels and the people I encounter and
that I would like to write about them. I told them that once it was up
on the computer I would take them into a Internet cafe and show them
the "article". Which I still plan to do. The photographs are haunting
and graceful. Full of laughter, sorrow and sometimes awkwardness of the
camera that seeks to capture something no words or image could capture.
(I provided you with a few, there are more in my care which I may or
may not share with you.)
I do not have missing limbs and do not
need to beg for money on the street, but there is a saying here in this
part of the world. "Same same. But different." We are all the same
experiencing this life but no doubt in different ways. We have ups and
downs, joys and sorrows, mothers and fathers who are still with us or
who have passed on. Children in school, brothers and sisters in
different towns or on different continents.
If one looked at
some of the photographs of these men they would see two ragged beings,
mangled limbs and begging for a better way of life. But if one would
just look a bit longer, a bit deeper, they would see a story of two
beings that are very much like everyone else. We all have a history, a
story that goes along with the life that is present. I no longer see
poverty and mutation as sad or even hard to look at. These men have
made me see the absolute beauty even in all of their pain. They smile
with each other OFTEN. They collect money for their families, for their
children's education and more food on their plates. And while I once
thought that I could never even begin to make a difference within the
lives over here, my eagerness to ask them questions and to sit with
them, to not just throw them some change but to engage with them, has
made all the difference in the world. They have a story to tell and few
who will listen. I was able to provide an outlet for that.
Nearing
to the end of my trip my walls no longer hang too high. My camera and I
have reunited and my sadness doesn't take me by surprise like it once
had. I have learned to fight my way around the traffic of cars that
crowd the narrow streets, banging on the side to let the driver know I
am passing them. I no longer jump when a jeep or bus horn blasts in the
back of my head, but move quickly and unfazed out of the way. My eyes
no longer search for something more pleasant to keep it's gaze but more
often find their way into the soft and kind eyes that sit in
contentment on a side stoop.
I can never again judge a book by
it's cover. I can never again just hand out a banana or some spare
change. My journey has proved successful because I have been forever
changed. I have not mastered, but understood that underneath all the
pain still lies the beauty and while pages often go missing the overall
story stays the same.