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    <title>Lost &amp; Loving It</title>
    <description>Lost &amp; Loving It</description>
    <link>https://journals.worldnomads.com/ninanoo/</link>
    <pubDate>Tue, 21 Apr 2026 10:20:58 GMT</pubDate>
    <generator>World Nomads Adventures</generator>
    <item>
      <title>First impressions of India</title>
      <description>
Kolkata. A slapstick comedy on fast forward. A circus for the senses.&lt;br /&gt;&lt;br /&gt;My eyes don't know where to rest.  The input is overwhelming.&lt;br /&gt;It's hot. The air thick and heavy with pollution and an&lt;br /&gt;underlying stench of poverty. Barely dressed rickshaw wallahs,&lt;br /&gt;harnessed like horses, dragging loads through streets that have been&lt;br /&gt;neglected for centuries. Traffic all over the place, at all angles.&lt;br /&gt;An incessant blaring of horns. Vehicles richly painted with gods and omens,&lt;br /&gt;garnished with flowers, oozing arms and legs.&lt;br /&gt;There is an unrelenting wailing of beggars. The urgent chorus of bus&lt;br /&gt;wallahs declaring their destinations.&lt;br /&gt;A thousand curious faces peering into mine.&lt;br /&gt;&lt;br /&gt;In the last few hours I've been called Miss, Madam, Sir and Aunty.&lt;br /&gt;Everything from feather dusters to cheap CD players, toys, clothes and&lt;br /&gt;extended hands, palms up have been thrust into my line of vision.&lt;br /&gt;They are curious, skilled bamboozlers but can be extremely charming.&lt;br /&gt;It's immediately more fun than South East Asia, but much harder work.&lt;br /&gt;Carrying my juggling stick I'm constantly asked what it is.&lt;br /&gt;&amp;quot;Something to hit men with&amp;quot;. I reply, trying a new tack. It works and I'm&lt;br /&gt;alone again for a millisecond.&lt;br /&gt;&lt;br /&gt;At the train station an elderly man spots me, fumbles with his lungi&lt;br /&gt;and before I know it I'm being flashed at.&lt;br /&gt;A huddle of beat up yellow taxis dating back to the 1950's and masses of people&lt;br /&gt;bearing loads on their heads bar my way to the entrance. Clutching my bag closed&lt;br /&gt;I weave through the chaos.&lt;br /&gt;&lt;br /&gt;Inside I receive no respite, again I'm stared at, followed and&lt;br /&gt;often approached. Feeling cornered I sit down in the middle of the floor&lt;br /&gt;amongst  piles of battered suitcases and extended families to wait it out.&lt;br /&gt;Two hours to go.&lt;br /&gt;&lt;br /&gt;At some point I move and find my platform, weary now and wondering if I&lt;br /&gt;can possibly find a place no-one will disturb me. On the platform&lt;br /&gt;being closely pursued by a few men, a family with children beckons me&lt;br /&gt;to them.&lt;br /&gt;&lt;br /&gt;For the next hour or so I'm interrogated by a 10 and 12 year old.&lt;br /&gt;&amp;quot;What's your name&amp;quot;? &amp;quot;Where are you from&amp;quot;? &amp;quot;What's your job&amp;quot;? &amp;quot;What are your&lt;br /&gt;hobbies&amp;quot;? The children are charmingly coy, mirror images of their middle&lt;br /&gt;class parents.&lt;br /&gt;&lt;br /&gt;The train arrives and I find my carriage. My reservation is&lt;br /&gt;for a top bunk , a narrow platform suspended by chains, cracked&lt;br /&gt;plastic covering ancient foam. I climb the ladder after throwing my&lt;br /&gt;belongings up, trying not to show too much leg in the process.&lt;br /&gt;&lt;br /&gt;The train jolts and slowly moves out of the station. It's about 10pm.&lt;br /&gt;The fans adjacent to my bunk, thick with grimy black dust, speed into&lt;br /&gt;motion, stirring the soupy humid air. The odd wave of stale urine&lt;br /&gt;brings to my attention that I'm a little too close to the toilets,&lt;br /&gt;and I wonder briefly how much the stench will increase during the&lt;br /&gt;next eight hours. The carriage is packed but apart from a few inquisitive&lt;br /&gt;looks, I'm left alone. I lock and chain my rucksack to my bunk, cover&lt;br /&gt;myself with a thin sheet and relax.&lt;br /&gt;&lt;br /&gt;Despite the constant chatter surrounding me, I drift in and out of&lt;br /&gt;sleep until the carriage bubbles with unavoidable life at about 6am.&lt;br /&gt;The chai wallahs have arrived. Pacing up and down with huge old fashioned&lt;br /&gt;metal tea pots, tiny hand thrown pottery cups and hurried calls of&lt;br /&gt;&amp;quot;Chai chai! Chai chai!&amp;quot;.&lt;br /&gt;&lt;br /&gt;The circus of Indian life has begun a new day.&lt;br /&gt;&lt;br /&gt;Singing blind men, food merchants, Hare Krishnas and bells,&lt;br /&gt;transvestites in saris, sway, shuffle and dance through my new world&lt;br /&gt;and I'm happy about the top bunk, and that I am able to observe,&lt;br /&gt;being directly pestered by no-one.&lt;br /&gt;&lt;br /&gt;The doors to the passing world are flung open next to the toilets,&lt;br /&gt;and welcome fresh air floods through.&lt;br /&gt;I doze again amidst the chaos, and at 8am or so the train grinds to a&lt;br /&gt;halt and announces our arrival in Puri.&lt;br /&gt;&lt;br /&gt;Immediately faces appear at the windows. Rickshaw drivers and guest&lt;br /&gt;house scouts toting for business. I climb down onto the platform and&lt;br /&gt;am approached by a neatly dressed and mustached man in his 50's&lt;br /&gt;who asks whether I need a rickshaw.&lt;br /&gt;&amp;quot;Yes&amp;quot; I reply, &amp;quot;Do you know Pink House&amp;quot;?&lt;br /&gt;I've been told by Chico that all the rickshaw wallahs do.&lt;br /&gt;I ask him how much, knowing the going rate is approximately 15-20 Rupees,&lt;br /&gt;about 30 European cents. I'm surprised when he asks for 20, expecting&lt;br /&gt;to be ripped off, and expected to barter I suggest &amp;quot;15&amp;quot;?&lt;br /&gt;He gives me a sideways glance, shrugs and replies, &amp;quot;Why not&amp;quot;.&lt;br /&gt;&lt;br /&gt;This guy is in no hurry, and slowly weaves me through the crowd, out&lt;br /&gt;of the exit to his chariot. &amp;quot;No crazy driving now&amp;quot;, I warn, &amp;quot;I value my life&amp;quot;.&lt;br /&gt;He chuckles and we pull onto Puri's dusty streets, passing fruit sellers, beggars,&lt;br /&gt;scabby dogs and cows chewing on plastic refuge.&lt;br /&gt;The ride is pleasantly slow, and after a few minutes I see Pink House&lt;br /&gt;looming ahead. I don't know whether Debu is there, but on arrival I'm&lt;br /&gt;assured he is, but still sleeping.&lt;br /&gt;&lt;br /&gt;&amp;quot;Made it&amp;quot;, I think, and sit down with my legs propped onto my rucksack,&lt;br /&gt;tired, sweaty and relieved to be in a peaceful place.&lt;br /&gt;&lt;br /&gt;A glass of bitter orange juice later, and Debu appears. Tussle&lt;br /&gt;haired and sleepy eyed he gives me an enormous bear hug. It's good to&lt;br /&gt;see him.&lt;br /&gt;&lt;br /&gt;After my first Indian breakfast he shows me to my room which overlooks a&lt;br /&gt;huge garden of sand fenced off from the beach proper, where fishermen and&lt;br /&gt;their families go about their business.  The walls are painted turquoise, with beautiful&lt;br /&gt;patches of old pink and wine red showing through where the&lt;br /&gt;salty air has corroded their surface. Two narrow beds with flowery&lt;br /&gt;covers. An ornate hardwood chair. Heavy wooden doors with large old metal bolts.&lt;br /&gt;Debu ushers me inside, flings the shutters open revealing wooden barred glassless windows and&lt;br /&gt;turns on the fan. A refreshing sea breeze blows inland.&lt;br /&gt; &lt;br /&gt;I like this place.&lt;br /&gt;&lt;br /&gt;After a couple of lazy days, I decide to talk to the two German guys&lt;br /&gt;who've been here a day or so. They look like typical specimens, so I&lt;br /&gt;put them to the test.&lt;br /&gt;&lt;br /&gt;They are aid workers, having a break from their&lt;br /&gt;Kolkata street kids. Social work students getting experience.&lt;br /&gt;Their plan for the day is to rent mopeds and visit the sun temple, some&lt;br /&gt;twenty-five or so kilometers down the coastal road.&lt;br /&gt;&lt;br /&gt;I wait until I'm invited along, eager to explore but wary about riding a moped on&lt;br /&gt;potholed streets full of hustle and bustle. I'm persuaded to try and we set off to&lt;br /&gt;rent the bikes from a wooden shelter and a man with sparkling green eyes.&lt;br /&gt;&lt;br /&gt;We pay 150 Rupees each without bartering and are led 'shanty shanty' to&lt;br /&gt;the petrol station, where pink oil is also added to the tank.&lt;br /&gt;&lt;br /&gt;Zigzagging through the streets, avoiding potholes, pedestrians and&lt;br /&gt;animals, we are adopted by a middle aged man on a bone shaker bicycle.&lt;br /&gt;On labyrinth pathways he leads us to the main road, grins, shakes our&lt;br /&gt;hands and asks us to drop by on our way back. We state our thanks and&lt;br /&gt;zoom off, all vibration and black smoke.&lt;br /&gt;&lt;br /&gt;The road is relatively empty, and in good condition. The landscape opens up&lt;br /&gt;offering palms, calm grassy banked rivers, leading to sandy dunes with the sea&lt;br /&gt;beyond. It's good to be independently mobile. Passing villages, cattle carts,&lt;br /&gt;people on foot, and bikes often supporting three passengers or huge loads,&lt;br /&gt;we are smiled and waved at along the way.&lt;br /&gt;&lt;br /&gt;At some point we are flagged down by a man at some road-side building.&lt;br /&gt;Malte being ahead of us stops and hands over 10 Rupees. The money is&lt;br /&gt;apparently a parking fee for the temple which is still a good few kilometers&lt;br /&gt;ahead. It smells of a scam, but Malte is too good natured to argue.&lt;br /&gt;&lt;br /&gt;At the temple, built in the 13th Century, we are accosted by stall&lt;br /&gt;sellers with a variety of cheesy brick-a-brack on offer, and men who&lt;br /&gt;claim they are official guides. It's hard to know, but we decide it'll&lt;br /&gt;be more interesting with one. I head for the toilet and on my return&lt;br /&gt;I see that the boys already have a new friend. An informative local&lt;br /&gt;who seems to have a desperate passion for his job though unfortunately a huge&lt;br /&gt;problem with English pronunciation. We give him the contract.&lt;br /&gt;&lt;br /&gt;He proceeds to tell us the history of the temple, pointing out erotic&lt;br /&gt;scenes sculptured into the walls centuries ago.       &lt;br /&gt;&amp;quot;Look madam, the dog is licking the woman&amp;quot;, he states in a businesslike&lt;br /&gt;manner. &amp;quot;Sir, and here, two womens enjoying together&amp;quot;, &amp;quot;and here,&lt;br /&gt;Madam, Sirs, one woman many mens, and here, one man, many womans&amp;quot;.&lt;br /&gt;A full circle of the temple later, drenched in sweat and suspecting&lt;br /&gt;sunstroke, we mount our mopeds and rattle back onto the ocean road,&lt;br /&gt;planning a stop on a quiet stretch of shoreline, and a dip in the&lt;br /&gt;wild waves.</description>
      <link>https://journals.worldnomads.com/ninanoo/story/27720/India/First-impressions-of-India</link>
      <category>Travel</category>
      <category>India</category>
      <author>ninanoo</author>
      <comments>https://journals.worldnomads.com/ninanoo/story/27720/India/First-impressions-of-India#comments</comments>
      <guid isPermaLink="true">https://journals.worldnomads.com/ninanoo/story/27720/India/First-impressions-of-India</guid>
      <pubDate>Sat, 10 Jan 2009 22:20:00 GMT</pubDate>
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